With over 400,000 enthusiastic members, Cera is undoubtedly Belgium’s most committed and welcoming cooperative.
Cera pools resources to support projects that benefit every member of society. One of its ambitions is to work towards “a caring and respectful society, without barriers”. A goal widely shared by the Trinkhall!
In 2026, for the second time, the Cera cooperative is providing supra-regional support to the Trinkhall Museum for the renewal of its permanent exhibition and the associated educational resources, thereby helping the museum to ‘celebrate the expressive power of fragile worlds’.
Translated with DeepL.com (free version)
For over 40 years, iGuzzini has been designing high-quality lighting solutions with a focus on environmental responsibility and sustainability.
Thanks to iGuzzini, the Trinkhall Museum has significantly improved the lighting for its exhibitions. The museum benefits not only from the company’s commercial support but also from its technical advice.
Thanks to its players, the National Lottery is able to support culture, sport, scientific research, sustainable development, the fight against poverty, development cooperation, solidarity initiatives and many other causes. The National Lottery is a major supporter of Belgian culture.
True to the values it holds dear, the National Lottery promotes solidarity and equal access to art.
Over the years, it has supported several projects at the Trinkhall Museum, enabling the museum to better achieve its goals of inclusion and openness.
In 2026, thanks to the National Lottery and its players, the Trinkhall Museum is presenting the temporary exhibition ‘Ancrages’, which honours Danièle Lemaire (1939–2025), who was active at the Ateliers du 94 for over thirty years, and her mother, the artist Hélène Locoge (1905–2005).
With this exhibition, the Trinkhall Museum forcefully reaffirms the convictions underpinning its project – a project that is at once artistic, cultural and societal: to protect, promote and disseminate the works of artists who are often relegated to the margins, or even excluded, from the cultural sector and the established art world due to their intellectual disability or mental illness. This exhibition places Danièle Lemaire within a vibrant artistic milieu, recognising her as a full member and a true protagonist of that milieu.
